dipresentasikanmelalui tangga nada dan akor (chord). Dalam buku yang ditulis oleh Hadi Sumoro Kristianto (2008:33) dijelaskan bahwa nada dasar suatu musik
ๅคงๅญฆ้็้ซๆ ก้็ใใใใพใใ. ใใญ้็ใจๅใใใใจใ2015ๅนดใฎๅ ดๅใ5ๆใใ11ๆใฎ้ใซ็ด300ใใฎ่ฉฆๅใใใใพใใ. ้ซๆ ก้็ใฎๅ ดๅใๆฑๆฑไบฌๅคงไผใ่ฅฟๆฑไบฌๅคงไผใจใใซ้ไผๅผใๆฑบๅใ่กใใพใใ. ๅคใฎไบ้ธใงใฏ็ญใๆ้ใงไปฃ่กจๆ กใๆฑบใใใใใๅคใใฎ็ๅ ดใ The"IV6" represents the chord based on the fourth step of the scale (in first inversion) and the "V" represents the chord based on the fifth step of the scale. In the tonality of "E" minor, a phrygian cadence would be the subdominant A minor chord (C - E - A) moving to the dominant B major chord} (B - D sharp - F sharp). mffXdw.chord pasu pasu hami o tuhan
